Discussing the ending & what it reveals re: Dickens' attitudes
The Interminable Fire Drill!!! Lesson To Be Continued...
HOMEWORK:
Creative Project and Gallery Walk next Tuesday. Your piece must be accompanied by a 1-page, single-spaced, statement of purpose in which you explain your approach and include text references. Refer to the assignment sheet here.
Vocabulary Final next Thursday. Final Lit term due Thursday.
Review the timeline: (as always, subject to change)
Tuesday 4/21: Ind. Novel Creative Project and written response. Macbeth thesis work time and final discussion. Sharing of motif slideshows.
Thursday 4/23: Outline of Macbeth essay due. Begin TOTC. Vocab quiz #15
Monday 4/27: Draft #1 of Macbeth essay due
Wednesday 4/29: Final draft of Macbeth essay
Wednesday, 4.15.15
Happy Tax Day! IN-CLASS:
AP Entrance Exam
HOMEWORK:
1 lit term this week.
read act V for Friday.
Review the timeline: (as always, subject to change)
*Today 4/13: act IV discussion
*Wednesday 4/15: junior AP entrance exam
*Friday 4/17: Act V discussion/activity
*Tuesday 4/21: Ind. Novel Creative Project and written response. Macbeth thesis work time and final discussion. Sharing of motif slideshows.
*Thursday 4/23: outline of Macbeth essay due. Begin TOTC.
*Monday 4/27: draft #1 of Macbeth essay due
*Wednesday 4/29: final draft of Macbeth essay
bring letter and optional writing sample if you’re taking the AP entrance exam. make sure I have your yellow and green sheets.bring something to work on quietly if you’re not testing.
1 lit term this week.
read act V for Friday.
Review the timeline: (as always, subject to change)
*Today 4/13: act IV discussion
*Wednesday 4/15: junior AP entrance exam
*Friday 4/17: Act V discussion/activity
*Tuesday 4/21: Ind. Novel Creative Project and written response. Macbeth thesis work time and final discussion. Sharing of motif slideshows.
*Thursday 4/23: outline of Macbeth essay due. Begin TOTC.
*Monday 4/27: draft #1 of Macbeth essay due
*Wednesday 4/29: final draft of Macbeth essay
Create google slide show for Act 3 groups & share with each other AND Ms. Wray
Vocab quiz #14 next class.
Read your independent novels. Great progress so far!
Tuesday, 3.31.15
IN-CLASS:
Living History reflection and Sharing
HOMEWORK:
PLEASE share your project with me on google drive and submit to turnitin.com
2 lit terms due this week (you may email them through Friday at 3 - this week only)
PLEASE update your progress on goodreads. Let me know how far you are in the novel and give a reaction so far.
Wednesday, 3.18.15
IN-CLASS:
submit vocabulary sentences #14
2.2 modern version
response to "will all great Neptune's oceans wash this blood..." and discussion in pairs
viewing through end of Act II
HOMEWORK:
finish living history papers. please confirm that you're following MLA paper formatting guidelines and that you've attributed all facts in your attribution of research. Please share your final version with me on google drive and submit to turnitin.com.
answer the Act II discussion questions on the discussion page
read act III and be prepared for graded discussion in class on Thursday. Tuesday will be our Living History Project sharing day. Please bring a hard copy of your paper to class
*Banquo vs. Macbeth
*The dagger soliloquy
*2.2 in groups
HOMEWORK:
Vocab sentences #14
Read to the end of Act II!
Feedback is on the Google Drive, unless you've not yet shared your living history draft with me. Optional submission this Wednesday; otherwise, submit Tuesday 3/31 after the break.
New Independent Novel Project Due Date: Friday, 4/17
Tome #28 : Which of Lady Macbeth's lines is most persuasive and why?
HOMEWORK:
Comma assignment on No Red Ink
Read act 2 scene 1 and complete the “is this a dagger” soliloquy response. (Tome #29 ) you don’t need to do complete sentences. just jot responses in the margin to prepare to perform next class
Which version of this famous soliloquy do you prefer, and why? Be specific please.
Look back to the speech (1.7.1-30). What are Macbeth's objections to killing Duncan? Go through the soliloquy and find his reasons, then restate each in your own words.
Identify at least five euphemisms Macbeth uses in this speech rather than naming the act he is contemplating? What is the effect of this less brutal language?
Macbeth intro activities: "What's up with the Crime Scene" and "Tossing Lines." We ran out of time for this but will finish next class!
HOMEWORK:
Draft #1 due! Don't wait until Sunday night, and don't worry too much about inclusion of facts at this point, especially if it impedes your creative process.
Macbeth intro activities: "What's up with the Crime Scene" and "Tossing Lines." We ran out of time for this but will finish next class!
HOMEWORK:
Draft #1 due! Don't wait until Sunday night, and don't worry too much about inclusion of facts at this point, especially if it impedes your creative process.
Scene revision workshop (see slideshow link, above)
Discussing Flashbacks...
HOMEWORK:
Craft your second scene. Just to clarify, these scenes are going in your story. :-)
As you craft this second scene, consider these depictions of war and how each uniquely conveys character, tension, attitudes, etc., amidst distinct portrayals of setting.
Good Reads update. Please register and select your book
Brief narrator discussion in groups
Plotting and telling your narrative: using exposition, summary, and scenes effectively
Lab time
HOMEWORK:
vocabulary quiz #11 next class (Wednesday)
6 sources and 40 note cards due by end of next class (final class)
story planning sheet due. See the Living History Page for resources, examples, and guidelines.
Join the GoodReads group and indicate what book you're reading for the Independent Novel Project by adding it to your "Currently Reading" list. (Link to Goodreads invite)
5 sources and 30 note cards due by end of next class
Join the GoodReads group and indicate what book you're reading for the Independent Novel Project by adding it to your "Currently Reading" list. (Link to Goodreads invite)
bring your title for the independent novel next class. Please strive to have the novel in your possession (and bring it to class) by next Tuesday. Due Dates for the project are as follows:
Novel Choice: Friday, February 13th
Written Response: Thursday, April 2nd
Creative Project: Thursday, April 2nd
limit notecards to manageable chunks of information: one distinct fact or main idea
fill in all 3 boxes on each note card (quotation/paraphrase/my ideas)
create works cited entries PRIOR to creating note cards. link all note cards to a source.
include URLs in works cited entries
HOMEWORK:
1 lit term due by end of next week (for 3 total)
vocabulary sentences #11 (we are skipping lists 9 and 10 and are finished with the semester 1 cumulative words)
2 sources and 15 note cards due by next class
bring an idea or two for an independent novel. I will introduce the project next class and we will have some time for sharing of titles.
Tuesday, 2.3.15
IN-CLASS:
Collect Discovery Research sheets
Handout and discussion: Writing Historical Fiction
To lab for work time
HOMEWORK:
2 Lit Terms due Thursday
Vocab quiz #8 Thursday
1 Source and 7 Note cards by next class
Thursday, 1.30.15
IN-CLASS:
Collect vocab and topic proposals
To lab for research overview
HOMEWORK:
Discovery Research Worksheet for your chosen topic.
The chosen topics are as follows. If you'd prefer to not double up on a topic, please adjust accordingly (and email me if what's below isn't accurate). Students with the same topics will need to choose different POVs from which to tell of the event. ALSO, many of you brainstormed possible narrators that are actual historical figures. As indicated on the project sheet and on the Topic Proposal, you must create a fictionalized narrator. The narrator can not be someone who existed in actual history. Please prepare to propose a different narrator.
Megan: Chernobyl Disaster
Steve: Lawrence of Arabia's raids during the Great War in the East
Sarah: Operation Protective Edge aka The Gaza War
Anika: War of the Worlds radio broadcast
Isabelle: Virginia Tech Shooting
Max: Chinese Occupation of Vietnam
Mark: "Roaring Twenties"
Nora: Cuban Missile Crisis
Sophie: Woodstock
Quincy: Assassination of Osama bin Laden
Nic: Soviet race to the moon
Serena: Nanking Massacre
Drew: Moon Landing conspiracy?
Emi: sinking of the Titanic
Kamala: Nebuchadnezzar II's building of Babylon
Lauren: 1980's Miracle on Ice
Jenny: Japanese Internment Camps
Kaity O: Sinking of Titanic
Tuesday: Heaven's Gate Cult Mass Suicide
Katy H: Berlin Wall (construction of...)
Rhys: Chernobyl Disaster
Jinghui: Columbine Shooting
Morgan: Battle of Poltava, Great Northern War
Cami: San Francisco Earthquake of 1906
Kathryn:
Jessica: eruption of Mt. Vesuvius
Tuesday, 1.28.15
IN-CLASS:
Return tomes
Finish Of Mice and Men film
Discussion?
HOMEWORK:
Vocab sentences #8
Living History Project intro , potential topics, and topic proposal . Please read the overview, topic list, and browse some sample papers . Then complete the topic proposal. For your research paper you will research a historical event and write a fictional, first-person account of this event. Your narrator cannot be an actual person; rather, you will create a fictional character who somehow becomes part of or observes the event in some way.
Go to turnitin.com to review my comments (written and verbal) and your grade. A note about the rubric and the score (two different grades): I noted where you were at on the CCSS rubric, which ended up scoring all of you lower than I scored you. So you can look at the rubric for some feedback, but know that I didn't use the rubric to grade you. The rubric is the only one available on Turnitin.com, and it is far from perfect. It doesn't have elements I look for, and includes others that seem less significant. So take it for what it's worth... Your actual grade is the number at the top left.
Respond to the following prompt in letter form. It will be Tome #18.
Sophomore Honors English
Odyssey Essay Response Reflection
Please log on to turnitin.com and access the grademark for your essay. Read each comment slowly and carefully, in the context of your paper. In other words, read the paper as you read the comments so the comments have significance and meaning.
After you’ve read the written comments, listen to my voice comments.
Finally, compare your actual final score to the rubric score and note where you are on the rubric.
Once you’re finished with all this, write a letter to me in which you answer the following:
What is your general reaction to my comments overall? Do you agree or disagree? In what sense?
How close to my assessment of your work was your perception of how you did? How can you account for any discrepancies?
How useful were the comments, both written and audio? What was helpful about them? What was less helpful about them?
What goals do you have for your next paper, based on both my comments and your feelings about your paper in general?
Please start your letter Dear Ms. Wray, and finish with a salutation (Sincerely, Thank you, etc.).
This letter will be Tome # 18.
Wednesday, 12.17.14
IN-CLASS:
envelope activity: thesis, sub-claims, support
HOMEWORK:
none for next class :-) Test has been postponed
Monday, 12.15.14
IN-CLASS:
share and collect black-out poems
reader response quiz
brief discussion, then...
watching PBS Frontline Documentary, "The Dancing Boys of Afghanistan"
HOMEWORK:
finish the novel
Friday is the unit test. It will consist of (a) a short scantron section that will ask you to identify characters, plot elements, important quotes, etc, and (b) an in-class essay. You'll be able to use your book on the in-class essay but will not see the prompts ahead of time.
Thursday, 12.11.14
IN-CLASS:
vocabulary quiz #6
envelope thread discussion groups and jigsaw
HOMEWORK:
read pages 214-310 in The Kite Runner
compose a black-out poem for the Kite Runner and write a paragraph explanation of your poem. A black-out poem is a poem made from a piece of text (NOT from the Kite Runner; you'll use a random torn-out page from an old crusty book ;-). Ms. Wray has lots or you can just tear out a page from a book at home. Google blackout poems for visual ideas. Just to clarify: you are using The Kite Runner as inspiration for your black-out poem. You'll use the words on the page in a meaningful way to express some greater insight about the novel. Your paragraph will explain what you are working to show in the poem. Email me if you have questions.
Tuesday, 12.9.14
IN-CLASS:
The Appositive! (Grammar Tome #3)
Lit term clarification, examples, and return
Envelope thread passage analysis
Discussion: How has setting changed the characters? How is the relationship between Baba and Amir different, and why? How typical is their experience, as an immigrant one?
HOMEWORK:
Read pages 166-213 in The Kite Runner
Vocabulary Quiz #6 next class
Friday, 12.5.14
IN-CLASS:
Submit vocab sentences #6
Introduction ofAll the Light We Cannot See optional reading project
Keep up on envelope threads and bring envelopes every class.
Monday, 11.24.14
IN-CLASS:
In-class final essay on The Odyssey
HOMEWORK:
Personal Odyssey Projects due next class.
Please print out copies of all the narratives, including the invocation (instructions below). These copies are separate for grading purposes; the copies in your project will not be used for grading.
Invocation guidelines:
Please craft an invocation to the muse as an introductory piece to your project, in the style of Homer's invocation. Guidelines are as follows:
Homer’s Invocation to the Muse covers approximately the first 24 lines of The Odyssey. In it, he summons the muses to tell the story of Odysseus through him,
the storyteller. The invocation essentially lays out the entire plot of the story to follow, from the sacking of Troy all the way through Odysseus’ return home to
Ithaca.
For your Personal Odyssey Project you will compose your own Invocation to the Muse, in which you summon her storytelling power in a way that connects and
summarizes your five Personal Narratives. Look back to Homer’s invocation for guidance.
Your Invocation needs to include the following:
• A minimum of 16 lines. Feel free to exceed this length.
• The use of epic language. Think refined, noble diction and formal syntax.
• A minimum of two epithets.
• At least one Homeric simile.
Thursday, 11.20.14
IN-CLASS:
Presentations: books 21-24
Discussing the in-class essay
HOMEWORK:
Personal Odyssey Project due date has been moved to 12/1
In-Class essay next class. Prompts are here. You may bring the following with you (handwritten on a piece of paper):
Thesis statement
Subpoints (written as topic sentences, if you'd like)
Quotes (indicated with page and line numbers)
Bring your books!
Tuesday, 11.18.14
IN-CLASS:
Presentations: books 17-20
Work/Reading time
HOMEWORK:
Read to end of book (21-24)
Personal Odyssey Project due date has been moved to 11/24
Unit test is on 11/24 (in-class essay)
Friday, 11.14.14
IN-CLASS:
Presentations: books 13-16
Work/Reading time
HOMEWORK:
Read to end of book (21-24)
Personal Odyssey Project due date has been moved to 11/24
Unit test is on 11/24 (in-class essay)
Wednesday, 11.12.14
IN-CLASS:
Personal Narrative #5 edit
Work time for presentations/Reading
HOMEWORK:
Read books 17-20
Presentations 13-16 next class
Thursday, 11.6.14
IN-CLASS:
Peer Edit on PN Draft #4
Sharing of Personal Odyssey Project examples
Finish Books 9-12 Timeline Activity and Discussion
Introduce Group Presentation Project
HOMEWORK:
Lit Terms!
Personal Narrative #5 (draft) due next class. Here's a link and Here's another to some starting points for personal narratives. You could adapt most of these to draft your next (and final!) Odyssey.
Please add your name to this page to indicate which group you're in.
Read books 13-16 of The Odyssey. Don't forget to use the fantastic resources I linked to below as you guide your reading. If you are so inspired, you can read beyond book 14, as the remaining sections will be presented in group presentations. You will still be required to keep up on the readings, and there will be at least one (unannounced) quiz in the coming days to verify that you're keeping up on the reading. See the presentation/reading timeline below:
Personal Narrative #4 (draft) due next class. Here's a link and Here's another to some starting points for personal narratives. You could adapt most of these to draft your next Odyssey.
Friday, 10.31.14
IN-CLASS:
Submit vocabulary sentences #5
PN#2 Self Edit w/ emphasis on showing vs telling
Tome #12 : T-Chart and Visual Response for book 5-8 discussion
HOMEWORK:
Read books 9-12 by next class; create a 4-squared visual response that includes a visual and a caption for each book [Tome #13 ]
Personal Narrative #3 (draft) due next class. Here's a link and Here's another to some starting points for personal narratives. You could adapt most of these to draft your next Odyssey.
Finish T-Chart (tome #12) by completing the back.
Wednesday, 10.29.14
IN-CLASS:
Vocabulary quiz #4
PN#1 Peer Edit
Reading time
HOMEWORK:
Vocab sentences #5
Read books 5-8 by next class; use sticky notes to annotate for characterization
Introduction to and explanation of Personal Odyssey Project
Discussion of Xenia in Books 1-4 of The Odyssey
HOMEWORK:
Vocab quiz #4 next class
Read books 5-8 by Friday
Personal Narrative #1 (draft) due next class
Thursday, 10.23.14
IN-CLASS:
Grammar tome #2, continued
Tome submit
The Odyssey book 1-2 discussion
HOMEWORK:
Fill out participation rubric
Read books 3-4, using this study guide to guide your reading. You DO NOT need to answer any of the questions provided, but I guarantee using it to guide your reading will both aid your understanding and enrich your reading. PLEASE use it!
Respond to the following prompt in a 1-page response:
As you recall, Xenia is an important guest-host relationship in Ancient Greece. Please discuss how you see Xenia displayed in the first 4 books of The Odyssey and draw a conclusion as to its significance in these early pages.
Read to end of book 2 of The Odyssey and answer the questions on the study guide (typed, on separate paper, please). You DO NOT need to compose the invocation as instructed.
Tomes are being collected next class! Please make sure yours is complete, organized, and up-to-date, and bring it to class ready to submit.
Friday, 10.17.14
IN-CLASS:
Thesis Statement Discussion and revision activity
Organization in Literary Analyses
Intro to The Odyssey
HOMEWORK:
Review slide presentations for a quiz next class. The quiz will consist primarily of matching and short answer. Nothing too complicated as long as you look at the slideshows.
Revise one of your paragraphs for stronger organization, using the guidelines presented in class . Please start with a strong topic sentence, one which asserts a clear arguable subpoint.
We will begin The Odyssey together in class on Tuesday. Cue the dramatic music: Watch this video which introduces the story and speculates on possible historical foundations for Homer's epic. It ends abruptly and has a sufficient cheese factor, but it will get us prepared to start reading next class.
Write sentences for vocabulary sentences #4. The list is on the 'vocabulary page' to the left
Happy weekend!
Tuesday, 10.7.14
IN-CLASS:
Final Discussion of biblical heroes
Adding to Grammar Tome #1
Reading Wilfred Owen's "Parable of the Old Men and the Young"
HOMEWORK:
Vocab quiz #3 next class.
Read your assigned Greek hero myth. Following the "Eight Steps of the Hero's Voyage" chart (ignore the circular image on the back), create a visual which illustrates how your myth corresponds to Leeming's Heroic Quest Archetype. This is Tome #9 . You could depict the correspondence in a chart, a circle, a timeline - whatever you choose. Please just include the steps clearly labeled ("Death and the Scapegoat," for example) and the corresponding elements from the story depicted visually, verbally, or both. See the myth assignments, below:
Respond to the discussion prompt on this page and respond to at least one other posting.
How do these stories clarify the relationship between God and man?
Which of the heroes seems most typically 'heroic' according to your notion of heroism, and which seemed least heroic? Why?
What cultural values do these heroes seem to embody? What does this set of stories seem to say about the culture from which they arose? Is there still relevance in these heroes today? Why or why not?
Discussion of Loss-Quest Archetype as depicted in Thomas Cole's "The Voyage of Life" series
HOMEWORK:
None! We'll work on the poems and Think Pieces next class
Thursday, 9.25.14
Okay - a few words about the rapid disintegration of order at the end of class today. I am so sorry I sent you to the hall with a muddled understanding of the Loss-Quest Archetype. This framework is simply another way of seeing the monomythical aspects of the stories we tell. There are many ways we can apply the creation - loss - wandering - rebirth motifs presented in Biblical and other texts to help understand stories with an archetypal lens. Please read the explanation on the back of the handout which explains the pattern, then use the chart below that explanation to see examples of images and other elements that are used throughout literature to convey this cycle or pattern. To clarify - a story need not include the ENTIRE cycle to be an illustration of it. Rather, a poem or short story could focus specifically on the "trial and quest" to "death" stages of the cycle, or perhaps a film is concerned solely with the journey from youth to adulthood and includes some of the familiar imagery and motifs (pastoral settings, seasonal changes, feelings of safety giving way to alienation, for example.) I am sorry for not providing a clearer discussion of the archetype in class, and I hope your poetic responses will provide an interesting springboard for further exploration next class. If you have any questions, please don't hesitate to send them my way. You could also extend this through a clarifying discussion online, which may be useful. I'd love to add to any thoughts or observations you'd like to post as a discussion to this page. (see the comment tab, above.) Ms. Wray
To compose your think piece, consider the following guidelines:
(1) Read the poem through once.
(2) Read it through a second time, annotating for meaning.
(3) Look back to the 'loss-quest archetype' and its use of symbol and image to convey the circular nature of the human cycle of birth - life - death- rebirth. Use the Cole images to clarify your understanding of this archetype. Email me if you have questions!
(4) Take a break and eat a bagel. Mull over your ideas as you masticate said bagel. Ponder your reading of the poem. Consider lines or images that perplex or confound or amaze you. These are often great points for further analysis.
(5) Craft a focus statement in which you assert your argument about how the poem conveys meaning and illustrates the loss-quest archetype (or some part of it).
(6) Write your think piece, proving your focus statement in 250-300 words through the use of textual evidence and insightful analysis. (Double-spaced please, despite my earlier directive.)
(7) Take a break. Stretch. Take a walk. Call a friend. No - don't text. Actually call.
(8) Return to your draft. Refine, revise and polish it closely until you can say to yourself, "This is my best work. Ms. Wray will be amazed."
(9) Hit Print and give yourself a high-five.
THAT'S IT! We will continue our discussion of the Flood Myths next class, and you'll do the poem analysis as hw next time, after I have time to explain more clearly.
Friday, 9.19.14
IN-CLASS:
Grammar Income quiz; "Word Crimes" video
Intro to notion of creation/destruction and Loss/Quest Archetype
Creation Skit work time
HOMEWORK:
Skits next class! Bring props, costumes, etc., and have your statement of purpose ready to submit to Ms. Wray.
Read the Flood Myth packet and create a visual representation of the elements present across myths. (Tome #5 )
Write your creation myth skit on the google drive; bring a draft next class.
Monday, 9.15.14
IN-CLASS:
Vocabulary quiz #1
Continue "Stories that Shape" activity (Tome #2 ), including peer revision and poem editing checklist.
Discussion re: Leeming Introduction "The Dimensions of Mythology"
HOMEWORK:
Vocabulary sentences #2
"Stories that Shape," continued: use feedback from partner and revision checklist to refine and polish your final poem.
Tome #4 : Create a Venn Diagram in which you compare and contrast three of the five Creation myths from your packet. Notice similarities and differences in detail, character, theme, setting, plot, etc.
Thursday, 9.11.14
IN-CLASS:
Continue "Stories that Shape" activity (Tome #2 ), including discussion of allusion, details, imagery, and thematic connection in Pat Mora's "Same Song." Go over "Pairing the details" sheet.
Read "Creation" packet of stories, prepare to discuss next class.
Study for vocab quiz #1, next class. (Ms. Wray wants to bring you cookies!)
"Stories that Shape," continued: use "pairing the details" sheet to guide work towards completing your first draft of your poem, due next class. Make sure to include:
allusion to your story
real-life details
concrete images
a shared theme
Tuesday, 9.9.14
IN-CLASS:
Pick up books in library.
Return vocab and remind of paper heading. :-)
Continue "Stories that Shape" activity (Tome #2 ), including discussion of role of storytelling in lives and brainstorming of images and details from the story we brought to class.
East of Eden fishbowl, part I (Tracking sheet is Tome #3 ).
HOMEWORK:
Stories that Shape journaling: write for about 10 minutes about the intersection of your story and your life. Explore how themes in the story have emerged in your own life.
Read "Introduction: The Dimensions of Myth" and come with 3 questions to discuss.
Think of an important story you’ve grown up with that has made some kind of impact on the way you see things. Bring in a written copy - or notes you’ve jotted down - of this story. It could be a fairy tale, a children's book, a lullabye, or perhaps a story passed through generations orally, either as family or cultural tradition.
Complete the fishbowl preparation sheet for the discussion on East of Eden on Tuesday. Refer to the levels of questioning handout and strive for higher-order questions.
Wednesday, 9.3.14
IN-CLASS: Today we started our long journey of getting to know each other. Or at least of my getting to know you. Here's what happened:
Submission of summer work.
Guess who game.
What will you bring to the class activity.
Going over the syllabus and course expectations, introducing the wiki.
Starting on the reading and writing questionnaire.
HOMEWORK:
Register for the wiki and remind.
(losophs.wikispaces.com - code is 9CCRTRP)
Vocabulary sentences.
Get materials.
Finish Reading and Writing Questionnaire.
Bring HTRLLAP and East of Eden next two classes for discussion.
Tuesday, 6.2.15
IN-CLASS:HOMEWORK:
Friday, 5.29.15
IN-CLASS:HOMEWORK:
Wednesday, 5.27.15
IN-CLASS:
HOMEWORK:
- Finish the novel! No dialectical entries due for this last section.
- One final lit term due next week (for total of 40. Whoo hoo!)
Upcoming:Creative Project Due Monday 6/2
Thursday, 5.21.15
IN-CLASS:
HOMEWORK:
- Read 255-328 and complete two dialectical entries.
- One final lit term due next week (for total of 40. Whoo hoo!)
Upcoming:Creative Project Due Monday 6/2
Tuesday, 5.19.15
IN-CLASS:
HOMEWORK:
- Read 227-252 and complete two dialectical entries.
- One lit term due this week (for total of 39).
Upcoming:Creative Project Due Monday 6/2
Friday, 5.15.15
IN-CLASS:
HOMEWORK:
- Read 195 - 227 over the weekend and complete two dialectical entries.
- Finish Motif Slideshow & Prepare to present.
- One lit term due next week (for total of 39).
Upcoming:Creative Project Due Monday 6/2
Wednesday, 5.13.15
IN-CLASS:
HOMEWORK:
Monday, 5.11.15
IN-CLASS:
HOMEWORK:
Thursday, 5.7.15
IN-CLASS:
HOMEWORK:
Tuesday, 5.5.15
IN-CLASS:
HOMEWORK:
Friday, 5.1.15
IN-CLASS:
HOMEWORK:
Wednesday, 4.29.15
IN-CLASS:
HOMEWORK:
Monday, 4.27.15
IN-CLASS:
HOMEWORK:
Thursday, 4.23.15
IN-CLASS:
HOMEWORK:
Tuesday, 4.21.15
IN-CLASS:
HOMEWORK:
Friday, 4.17.15
IN-CLASS:
HOMEWORK:
Wednesday, 4.15.15
Happy Tax Day!IN-CLASS:
AP Entrance Exam
HOMEWORK:
- 1 lit term this week.
- read act V for Friday.
- Review the timeline: (as always, subject to change)
*Today 4/13: act IV discussion*Wednesday 4/15: junior AP entrance exam
*Friday 4/17: Act V discussion/activity
*Tuesday 4/21: Ind. Novel Creative Project and written response. Macbeth thesis work time and final discussion. Sharing of motif slideshows.
*Thursday 4/23: outline of Macbeth essay due. Begin TOTC.
*Monday 4/27: draft #1 of Macbeth essay due
*Wednesday 4/29: final draft of Macbeth essay
Monday, 4.13.15
IN-CLASS:HOMEWORK:
- bring letter and optional writing sample if you’re taking the AP entrance exam. make sure I have your yellow and green sheets.bring something to work on quietly if you’re not testing.
- 1 lit term this week.
- read act V for Friday.
- Review the timeline: (as always, subject to change)
*Today 4/13: act IV discussion*Wednesday 4/15: junior AP entrance exam
*Friday 4/17: Act V discussion/activity
*Tuesday 4/21: Ind. Novel Creative Project and written response. Macbeth thesis work time and final discussion. Sharing of motif slideshows.
*Thursday 4/23: outline of Macbeth essay due. Begin TOTC.
*Monday 4/27: draft #1 of Macbeth essay due
*Wednesday 4/29: final draft of Macbeth essay
Thursday, 4.9.15
IN-CLASS:- Collect Vocab sentences #15
- Motif Groups work time
- Discussion of "I am in blood/stepped in so far that should I wade no more/Returning were as tedious as go o'er" as a rich, fabulous metaphor.
- Discussion of 3.5 & 3.6 (see slideshow, linked above, for discussion topics)
- Starting 4.1 in class
- Act 3 final presentation. Link to slideshow is below:
Act III, Scene iv, lines 88-endHOMEWORK:
Tuesday, 4.7.15
IN-CLASS:- Vocab quiz #14
- Return tomes
- Act 3 presentations. Links to slideshows are below:
Act III, Scene i, lines 1-77Act III, Scene i, Lines 78-162
Act III, Scene ii
Act III, Scene iii
Act III, Scene iv, lines 1-87
HOMEWORK:
Thursday, 4.2.15
IN-CLASS:HOMEWORK:
Tuesday, 3.31.15
IN-CLASS:HOMEWORK:
Wednesday, 3.18.15
IN-CLASS:HOMEWORK:
Monday, 3.16.15
IN-CLASS:- Vocab quiz #13
- Notes on tragedy (Tome #30 )
- working through Act II
*Banquo vs. Macbeth*The dagger soliloquy
*2.2 in groups
HOMEWORK:
Thursday, 3.12.15
IN-CLASS:HOMEWORK:
Tuesday, 3.10.15
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Friday, 3.6.15
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Wednesday, 3.4.15
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Monday, 3.2.15
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Thursday, 2.26.15
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Thursday, 2.26.15
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Tuesday, 2.24.15
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Friday, 2.20.15
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Wednesday, 2.18.15
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Friday, 2.13.15
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Wednesday, 2.11.15
IN-CLASS:HOMEWORK:
https://www.goodreads.com/group/invite/157134-sophomores-not-sophomoric?invite_key=4498908ffabebab4acbb7d37959ec71a8f09d422&utm_medium=email&utm_source=copypastegroup
Monday, 2.9.15
IN-CLASS:HOMEWORK:
- 1 lit term due by end of this week (for 3 total)
- vocabulary quiz #11 on Friday
- 4 sources and 20 note cards due by next class
- bring your title for the independent novel next class. Please strive to have the novel in your possession (and bring it to class) by next Tuesday. Due Dates for the project are as follows:
Novel Choice: Friday, February 13thWritten Response: Thursday, April 2nd
Creative Project: Thursday, April 2nd
Thursday, 2.5.15
IN-CLASS:HOMEWORK:
Tuesday, 2.3.15
IN-CLASS:HOMEWORK:
Thursday, 1.30.15
IN-CLASS:HOMEWORK:
- Discovery Research Worksheet for your chosen topic.
The chosen topics are as follows. If you'd prefer to not double up on a topic, please adjust accordingly (and email me if what's below isn't accurate). Students with the same topics will need to choose different POVs from which to tell of the event. ALSO, many of you brainstormed possible narrators that are actual historical figures. As indicated on the project sheet and on the Topic Proposal, you must create a fictionalized narrator. The narrator can not be someone who existed in actual history. Please prepare to propose a different narrator.Megan: Chernobyl Disaster
Steve: Lawrence of Arabia's raids during the Great War in the East
Sarah: Operation Protective Edge aka The Gaza War
Anika: War of the Worlds radio broadcast
Isabelle: Virginia Tech Shooting
Max: Chinese Occupation of Vietnam
Mark: "Roaring Twenties"
Nora: Cuban Missile Crisis
Sophie: Woodstock
Quincy: Assassination of Osama bin Laden
Nic: Soviet race to the moon
Serena: Nanking Massacre
Drew: Moon Landing conspiracy?
Emi: sinking of the Titanic
Kamala: Nebuchadnezzar II's building of Babylon
Lauren: 1980's Miracle on Ice
Jenny: Japanese Internment Camps
Kaity O: Sinking of Titanic
Tuesday: Heaven's Gate Cult Mass Suicide
Katy H: Berlin Wall (construction of...)
Rhys: Chernobyl Disaster
Jinghui: Columbine Shooting
Morgan: Battle of Poltava, Great Northern War
Cami: San Francisco Earthquake of 1906
Kathryn:
Jessica: eruption of Mt. Vesuvius
Tuesday, 1.28.15
IN-CLASS:HOMEWORK:
Monday, 1.26.15
IN-CLASS:HOMEWORK:
Monday, 1.12.15
IN-CLASS:HOMEWORK:
Thursday, 1.8.15
IN-CLASS:HOMEWORK:
- Read chapters 1-3. Please be prepared for a quiz on the reading next class
- Final draft of paper due Monday. Please see my comments on the google doc by Saturday a.m.
- Final exam review is posted here .
Paper revision resources are here:sentence level revision
summary vs analysis 1
summary vs analysis 2
excellent overview of structure and argument
tips for paragraphing and topic sentences
AQC – Assertion, Quotation, Commentary
MLA Guidelines
Tuesday, 1.6.15
IN-CLASS:HOMEWORK:
Friday, 12.19.14
IN-CLASS:HOMEWORK:
- In-class essay next class. Bring your book!
- The PBS Frontline Documentary "The Dancing Boys of Afghanistan" is here . We watched through the 31st minute.
- Go to turnitin.com to review my comments (written and verbal) and your grade. A note about the rubric and the score (two different grades): I noted where you were at on the CCSS rubric, which ended up scoring all of you lower than I scored you. So you can look at the rubric for some feedback, but know that I didn't use the rubric to grade you. The rubric is the only one available on Turnitin.com, and it is far from perfect. It doesn't have elements I look for, and includes others that seem less significant. So take it for what it's worth... Your actual grade is the number at the top left.
- Respond to the following prompt in letter form. It will be Tome #18.
Sophomore Honors EnglishOdyssey Essay Response Reflection
Once you’re finished with all this, write a letter to me in which you answer the following:
Please start your letter Dear Ms. Wray, and finish with a salutation (Sincerely, Thank you, etc.).
This letter will be Tome # 18.
Wednesday, 12.17.14
IN-CLASS:HOMEWORK:
Monday, 12.15.14
IN-CLASS:HOMEWORK:
Thursday, 12.11.14
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Tuesday, 12.9.14
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Friday, 12.5.14
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Wednesday, 12.3.14
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Monday, 12.1.14
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Monday, 11.24.14
IN-CLASS:HOMEWORK:
- Personal Odyssey Projects due next class.
Please print out copies of all the narratives, including the invocation (instructions below). These copies are separate for grading purposes; the copies in your project will not be used for grading.- Invocation guidelines:
Please craft an invocation to the muse as an introductory piece to your project, in the style of Homer's invocation. Guidelines are as follows:Homer’s Invocation to the Muse covers approximately the first 24 lines of The Odyssey. In it, he summons the muses to tell the story of Odysseus through him,
the storyteller. The invocation essentially lays out the entire plot of the story to follow, from the sacking of Troy all the way through Odysseus’ return home to
Ithaca.
For your Personal Odyssey Project you will compose your own Invocation to the Muse, in which you summon her storytelling power in a way that connects and
summarizes your five Personal Narratives. Look back to Homer’s invocation for guidance.
Your Invocation needs to include the following:
• A minimum of 16 lines. Feel free to exceed this length.
• The use of epic language. Think refined, noble diction and formal syntax.
• A minimum of two epithets.
• At least one Homeric simile.
Thursday, 11.20.14
IN-CLASS:HOMEWORK:
Tuesday, 11.18.14
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Friday, 11.14.14
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Wednesday, 11.12.14
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Thursday, 11.6.14
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Tuesday, 11.4.14
IN-CLASS:HOMEWORK:
Friday, 10.31.14
IN-CLASS:HOMEWORK:
Wednesday, 10.29.14
IN-CLASS:HOMEWORK:
Monday, 10.27.14
IN-CLASS:HOMEWORK:
Thursday, 10.23.14
IN-CLASS:HOMEWORK:
Tuesday, 10.21.14
IN-CLASS:HOMEWORK:
Friday, 10.17.14
IN-CLASS:HOMEWORK:
Tuesday, 10.14.14
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Thursday, 10.9.14
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Tuesday, 10.7.14
IN-CLASS:HOMEWORK:
myth assignments and corresponding page numbers in Hamilton's Mythology:
Perseus (197-208): Emi, Lauren, Quincy, Jenny, Jinghui, Cami, Jessica, Sophie, Serena
Theseus (209-223): Isabelle, Katherine, Nora, Tuesday, Max, Nic, Megan, Kamala
Hercules (224-243): Steve, Katy H, Sarah, Morgan, Kaity O, Rhys, Anika, Mark, Drew
Friday, 10.3.14
IN-CLASS:HOMEWORK:
Wednesday, 10.1.14
IN-CLASS:HOMEWORK:
Monday, 9.29.14
IN-CLASS:HOMEWORK:
Thursday, 9.25.14
Okay - a few words about the rapid disintegration of order at the end of class today. I am so sorry I sent you to the hall with a muddled understanding of the Loss-Quest Archetype. This framework is simply another way of seeing the monomythical aspects of the stories we tell. There are many ways we can apply the creation - loss - wandering - rebirth motifs presented in Biblical and other texts to help understand stories with an archetypal lens. Please read the explanation on the back of the handout which explains the pattern, then use the chart below that explanation to see examples of images and other elements that are used throughout literature to convey this cycle or pattern. To clarify - a story need not include the ENTIRE cycle to be an illustration of it. Rather, a poem or short story could focus specifically on the "trial and quest" to "death" stages of the cycle, or perhaps a film is concerned solely with the journey from youth to adulthood and includes some of the familiar imagery and motifs (pastoral settings, seasonal changes, feelings of safety giving way to alienation, for example.) I am sorry for not providing a clearer discussion of the archetype in class, and I hope your poetic responses will provide an interesting springboard for further exploration next class. If you have any questions, please don't hesitate to send them my way. You could also extend this through a clarifying discussion online, which may be useful. I'd love to add to any thoughts or observations you'd like to post as a discussion to this page. (see the comment tab, above.)Ms. Wray
IN-CLASS:
HOMEWORK:
- Vocab sentences #3
- Think Piece on one of the following poems: "End of Summer ," "The Red Wagon ," "Janet Waking ," "Eve Names the Animals ," "Eden is that Old-Fashioned House "
To compose your think piece, consider the following guidelines:(1) Read the poem through once.
(2) Read it through a second time, annotating for meaning.
(3) Look back to the 'loss-quest archetype' and its use of symbol and image to convey the circular nature of the human cycle of birth - life - death- rebirth. Use the Cole images to clarify your understanding of this archetype. Email me if you have questions!
(4) Take a break and eat a bagel. Mull over your ideas as you masticate said bagel. Ponder your reading of the poem. Consider lines or images that perplex or confound or amaze you. These are often great points for further analysis.
(5) Craft a focus statement in which you assert your argument about how the poem conveys meaning and illustrates the loss-quest archetype (or some part of it).
(6) Write your think piece, proving your focus statement in 250-300 words through the use of textual evidence and insightful analysis. (Double-spaced please, despite my earlier directive.)
(7) Take a break. Stretch. Take a walk. Call a friend. No - don't text. Actually call.
(8) Return to your draft. Refine, revise and polish it closely until you can say to yourself, "This is my best work. Ms. Wray will be amazed."
(9) Hit Print and give yourself a high-five.
Tuesday, 9.23.14
IN-CLASS:HOMEWORK:
Friday, 9.19.14
IN-CLASS:HOMEWORK:
Wednesday, 9.17.14
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Monday, 9.15.14
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Thursday, 9.11.14
IN-CLASS:HOMEWORK:
Tuesday, 9.9.14
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Friday, 9.5.14
IN-CLASS:HOMEWORK:
Wednesday, 9.3.14
IN-CLASS: Today we started our long journey of getting to know each other. Or at least of my getting to know you. Here's what happened:HOMEWORK:
- Register for the wiki and remind.
(losophs.wikispaces.com - code is 9CCRTRP)